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Galleria dell'Accademia | Florence, Italy

Atualizado: 8 de jun.

Gipsoteca, plaster models by Lorenzo Bartolini and Luigi Pampaloni
Gipsoteca, plaster models by Lorenzo Bartolini and Luigi Pampaloni
 

In the weave of Florence's streets, the Galleria dell'Accademia emerges as a living testament to the city's rich artistic heritage. Its origin dates back to 1784 when the Grand Duke of Tuscany, Pietro Leopoldo, reorganized the Academy of Arts and Drawing. The museum, officially founded in 1882, reached a decisive turning point with the transfer of Michelangelo's iconic "David" in 1873. The marble patiently waited, guarded, for nine years until the Tribune, designed by Emilio De Fabris, was ready.


The Galleria dell'Accademia embraces collections that encapsulate centuries of artistic mastery. The scope is vast, ranging from Michelangelo's immortal statuary to an extensive collection of ancient Italian paintings. Among the masters highlighted on the walls are Giotto, Sandro Botticelli, and many others who influenced Florence's artistic narrative. Equally fascinating is the Gipsoteca, where plaster models by Lorenzo Bartolini and Luigi Pampaloni reveal the mastery of Italian sculpture.


The collection of golden paintings from the 13th to the 15th century, representing Florentine masters like Giotto, is a jewel in the crown of the Galleria. The pictorial narrative unfolds, revealing the evolution from late Gothic art to the Renaissance, with works by Paolo Uccello, Botticelli and others. The 16th century witnesses the dialogue between painting and sculpture, reflecting Michelangelo's enduring influence.


Upon entering the gallery, the visitor is greeted by the preparatory model of Giambologna's "The Rape of the Sabine Women", a preview of the grandeur under the Loggia dei Lanzi. The Galleria dei Prigioni reveals unfinished sculptures by Michelangelo, including the impressive "David." In the Gipsoteca, Bartolini and Pampaloni's works, along with molds from the 18th and 19th centuries, provide an immersion into Italian sculpture.


Opened in 2001, the Department of Musical Instruments takes visitors on a symphony of the past. Instruments from the Grand Dukes of Tuscany, the Medici, and the Lorraine, including a Stradivarius violin, echo the cultural and musical richness of the Grand Duchy of Florence.


The Galleria dell'Accademia transcends time, immersing visitors in a dialogue between Michelangelo's genius, the expressiveness of Italian painting, and the harmony of music. Each artwork is a link in the chain of history, an experience that transforms the visit not just into a journey but into an artistic odyssey.


 


 

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